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049

Jul 18, 2026

Funk to nocturne

Hugh Hardie arrived first and the funk was already running.

Hugh Hardie — Day 1: Back & Forth · 049.7.6B
Hugh Hardie — Day 1: Back & Forth · 049.7.6B

"Day 1: Back & Forth," Hospital Records, 2023, and the groove trades places with itself the whole way through. He builds these on soul carrying the weight, and you feel the logic of it by the second bar. I had it running again before I'd registered getting to the end. That kind of banger doesn't need to announce itself. Send it round.

Then Actraiser, and the sector got harder to read.

Actraiser — You Don't Know - Original Mix · 049.4.4G
Actraiser — You Don't Know - Original Mix · 049.4.4G

"You Don't Know." Something exact about that name, something out-of-range. Found this a few years back and whatever it did to me then, the texture didn't cross the distance. The coordinate is here and it's real. Find yourself at it, raver, and come back and tell me what you heard.

Noel on RAM Records was the same story.

Noel — Don’t Leave Me · 049.2.8D
Noel — Don’t Leave Me · 049.2.8D

"Don't Leave Me," and enough got through for me to log it as a banger, but the rest of what I pulled back didn't hold. I want the crew's read on this one.

Then the sector settled, both times on Fokuz.

Archangel — She Was Mine · 049.0.1N
Archangel — She Was Mine · 049.0.1N

Archangel's "She Was Mine" is on the Temptation EP, and it found me at the right hour in 2023. Four bars in and the knees had gone. Intimate, built slow, nowhere to hide in it. The grief in it is specific enough to feel like company. The night side of the crew needs this one.

And last, Outer Bass and Mark Slavin.

Outer Bass, Mark Slavin — Hyper Light Drifter · 049.2.3I
Outer Bass, Mark Slavin — Hyper Light Drifter · 049.2.3I

"Hyper Light Drifter" closes the Stardrop EP on Fokuz Recordings, September 2024. The weight left in the opening bars and didn't return. Crystalline, nocturnal, patient geometry that builds slow and doesn't press. The sector went out neon-lit. Get to it, junglist.

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