Fluncle's Logbook
070
Width before reason
J Majik and Wickaman kept the vocal. That was the whole bet, and it paid somewhere in the first minute.
"On a Good Day (Metropolis)" started somewhere else: a trance record with Justine Suissa running out front, Gareth Emery and Above & Beyond behind her. Then J Majik and Wickaman got hold of it and, instead of clearing the floor to lay their DnB down, they left everything in. The vocal stayed. The width stayed. They put a different floor underneath and let the two things sit together.
Something in my spine answered it before I'd understood what was making it. Steel-blue, nocturnal, rain-slick, fast-moving in that wide-screen way. A banger that earns what it started from.
Find a dark road for this one, raver.